MARKART
MARKART Charcoal Pencils (10 Pieces)
Best for: Portraits, figure drawing and learning charcoal with control
Charcoal gives the deepest darks of any drawing medium and suits bold value studies and portraits. Pastels add color with the same hands-on blending. Both work best on paper with some tooth.

Charcoal pencils and sticks, white charcoal, oil pastels, soft pastels and pastel paper.
MARKART
Best for: Portraits, figure drawing and learning charcoal with control
PANDAFLY
Best for: Bold value studies, gesture drawing and large drawings
PANDAFLY
Best for: Life drawing, gesture sketches and blocking in large drawings
MARKART
Best for: Highlights on toned paper and dark-paper drawings
Faber-Castell
Best for: Detailed pastel portraits and finishing work
Fantastory
Best for: Beginners, kids' projects and colorful pastel experiments
Winsor & Newton
Best for: Figure drawing, gesture sketches and blocking in a drawing before adding detail
Pacific Arc
Best for: Charcoal drawing where you need strong darks at a low price
COLOUR BLOCK
Best for: Pastel painters who want a wide palette in a protective case
Brusarth
Best for: Drawing on toned paper where highlights make the image
Brusarth
Best for: Beginners trying charcoal with the control of a pencil
Somime
Best for: Soft pastel and pastel pencil work with many layers
KALOUR
Best for: Portrait and realism artists who want pastel detail on toned paper
Faber-Castell
Best for: Adding the darkest values to charcoal drawings
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Vine and willow charcoal are light and easy to erase, so they suit early sketches and gesture drawing. Compressed charcoal is bound into dense sticks for the darkest blacks. Charcoal pencils give the most control and the least mess for detail.
Soft pastels are nearly pure pigment. They blend like chalk and give rich, matte color but make dust. Oil pastels use an oil and wax binder, so they are creamy, bright and dust-free, but they never fully dry.
Charcoal and pastel need texture to grip. Toned pastel paper lets white charcoal and light pastel colors show as highlights. Sanded pastel paper holds the most layers without turning muddy.
Charcoal and soft pastel smudge easily. Spray finished drawings with a fixative and store them with glassine paper on top. Oil pastel work is best framed behind glass.